The following edition of The Poet's Perspective is on the subject of land use by man. The program features Southwest Minnesota regional poets Joe and Nancy Paddock.
This the is second of nine programs funded in part by the Minnesota Humanities Commission, bringing the poet's perspective to regional issues from Minnesota Public Radio's Poet in Residence. The series was produced in the Worthington studios. It is presented as it was broadcast over KRSW's regional magazine, Home for the Weekend.
Transcripts
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VICKIE STURGEON: The following edition of The Poet's Perspective is presented as it was broadcast over KRSW's regional magazine, Home for the Weekend. The Poet's Perspective was funded in part by the Minnesota Humanities Commission.
[MUSIC PLAYING]
JOE PADDOCK: From the beginning, we had seen virtually no wilderness. Rice terraces had climbed thousands of feet up hillsides. Prayer flags flapped at the passes. Paths, occasionally edged with mani walls, crisscrossed the country, for all the size, for all the intransigent power of the ice-crusted wall to the north, wilderness, as Western man defines it, did not exist. Yet there was no impression of nature tamed.
It seemed to me that here, man lived in continuous harmony with the land as much and as briefly a part of it all as all its other occupants. He used the Earth with gratitude, knowing that care was required for continued sustenance. He rotated crops, controlled the cutting of wood, bulwarked his fields against erosion. In this peaceful coexistence, man was the invited guest.
VICKIE STURGEON: In a recent study released by the Southwest Regional Development Commission, it was reported that the Metropolitan area of the Twin Cities contains 10 times as much unexploited land as the nine-county area of southwestern Minnesota. Here, only 1.9% of the land has been left in some sort of a natural state, compared to 19.3% of the land in Minneapolis, Saint Paul.
Of course, our prairie region contained few natural forests or lakes considered worth saving. And we also live in a region where some of the most intensive agriculture in the country is practiced. It's easy to forget that before such extensive agricultural usage, the prairie, in its natural state, was teeming with wildlife.
HIRAM SOUTHWICK: Of course, the prairie marshes have always been, by far, the most productive of waterfowl anywhere in the United States, far more productive than the water areas and the big lakes are in the forested areas. The prairie potholes are, by far, the most productive.
And during the time when we had some agriculture, but not intensive agriculture, of course, we had the tremendous increases actually in prairie chicken populations that occurred after the introduction of agriculture, but before it became so intensive. And then when we had at least 25% of the land still in undisturbed grasslands, then we had a lot of prairie chickens. When the percentage of plowed land greatly increased, then, of course, the prairie chickens disappeared because their habitat was destroyed, the habitat they needed most.
And, of course, we had pheasants, which could stand more intensive agriculture than the prairie chicken. And they did very well for a number of years while there was still more agriculture, but not complete domination of the landscape by row crops. But now, of course, there are far too little habitat for pheasants in practically the entire southwestern Minnesota.
VICKIE STURGEON: Hiram Southwick of Slayton is the regional wildlife supervisor for Southwest Minnesota. A dedicated conservationist, he's been working in this region since 1945 to keep as many acres as possible from being drained, tiled, and plowed. And he's been heavily involved with the state's acquisition program, which began in 1951, to buy and preserve marshes and sloughs. Southwick says it's hard to even estimate how many acres of wetlands and unplowed prairie have been lost within the last 30 years.
HIRAM SOUTHWICK: Well, we've lost a large percentage of what we had. In fact, in most counties now, the only wetlands remaining essentially are those that have been purchased by the state and, in some counties, also by the federal government. We have few remaining compared to what we had in 1945, the balance having been drained for agricultural purposes.
If you refer to changes in land use, there have been, of course, some other additional changes. And considerable amounts of pasture land, for example, have been changed to row crop and production.
VICKIE STURGEON: You said the state will buy some of the wetlands. Do they also have a program of buying pasture land or something that's never been plowed up yet?
HIRAM SOUTHWICK: Well, essentially our acquisition program started in 1951, when it was primarily oriented to the purchase of marsh areas or wetland areas, with the major emphasis on waterfowl production and public hunting, of course. But over the years, we've found that the areas purchased have been of equal value to other species of wildlife, such as pheasants, deer, partridge, and so forth.
And so we do have programs for buying other types of lands than just marshland. And some of these are pasture lands that can be developed and improved for our grassland, I should call it. A rough grassland can be improved for waterfowl in some cases, or pheasants, and deer, and other wildlife in other cases.
VICKIE STURGEON: Most people in this region would agree that agricultural production is a very appropriate and justifiable use of our land. But some, like J. Peter Thompson, president of the concerned farmers, are saying that, for his own good, the farmer needs to curtail his excessive manipulation of the soil.
J. PETER THOMPSON: There's land now under the plow in this country that shouldn't be under the plow. It should be in pasture. We are farming fence line to fence line. We should be taking some of our tools and parking them in the grove and forgetting about it. I'm specifically speaking about the moldboard plow.
There's been ample evidence to indicate that we're losing topsoil at the rate of about $30 an acre per year in the wind blowing it away. Now, if we reduced our tillage, if we put to park the moldboard plow and put it in the grove, in all probability, we could cut down this erosion by 75% or 80%.
Grant you, we probably wouldn't get the crops that we're getting now with the heavy application of fertilizers and moldboard plowing, but the long-term consequences are not good. We're seeing a steady erosion of the soils, and this can't bode good for future generations.
VICKIE STURGEON: While some see the land as being threatened by excessive farming practices, still, others see the very production of agricultural products being threatened by the yearly loss of prime farmland. In recent months, the Agriculture Committee of the US House of Representatives has been studying the growing trend of non-farm usage of prime ag land. Congressman Richard Nolan of Minnesota's Sixth District sits on that committee, and he spoke about the problem with Kim Hodgson recently.
KIM HODGSON: I know your committee has been looking into this issue, particularly as it results-- with respect to taking farmland out of production for urban usage. Could you talk a little bit about what you found out about this and what you might be prepared to recommend?
RICHARD NOLAN: Well, at this point, we've found out that there's a very, very serious problem. It appears as though about three million acres of our prime agricultural land is annually going into non-agricultural uses, talking about shopping centers, housing, highways, a whole wide range of commercial enterprises unrelated to food production.
Also, each year, there's about two million new acres coming into production, but they tend to be very, very marginal that require a high-energy, intensive-type farming and, oftentime, bringing into production land that really shouldn't be brought into production, shelterbelts, and wetlands, and other areas that are needed really to be preserved in the status that they're in now in order to have a good ecological balance out here in the countryside.
But at this rate, we're losing well over 1% of our prime agricultural land annually, maybe about 2% or 3%. And they figure, at the current rate, we'll take another state the size of Ohio out of production in the next 10 years. Now, that's a very, very serious problem when considering the enormous food needs that do exist in this country and around the world.
And at this point, we have been working so hard on just passage of this farm bill, which, as you know, included food stamps, and price supports, and research, and Food for Peace, and everything that we haven't really had time to begin carefully examining what we might be able to do to stop this problem.
But now, this fall, we intend to conduct some additional hearings and try to solicit some counsel and advice from the best minds that we can find who are concerned about this problem and then try to come up with a program to reverse this trend, where so much of our prime agricultural land is going into non-agricultural uses.
KIM HODGSON: It seems like it would be difficult because you're going to be smack up against powerful interests when you start taking that on.
RICHARD NOLAN: Well, you are. The construction industry, whether they're building houses, shopping centers, or highways, is a very, very powerful industry. And when you start talking about any kind of policy, land-use policy, that would prohibit them from using prime agricultural land, why, they're going to be calling in all of their chips that they have out with all of their friends in government at every level. And the potential of-- the possibility of doing anything in the very, very near future, I think, is quite honestly rather remote.
And at this point, I'm inclined to think that the best hope that we might have would be for the establishment of some kind of a National Commission on the question that would help elevate the level of interest, the level of knowledge, and the level of concern about this particular problem, because it's not a problem that many people are even aware of at this point.
[JONI MITCHELL, "BIG YELLOW TAXI"] They paved paradise and put up a parking lot
With a pink hotel, a boutique, and a swinging hot spot
Don't it always seem to go that you don't know what you've got till it's gone?
They paved paradise and put up a parking lot
Ooh, bop, bop, bop, bop
Ooh, bop, bop, bop, bop
They took all the trees and put them in a tree museum
And they charged the people a dollar and a half just to see them
Don't it always seem to go that you don't know what you've got till it's gone?
They paved paradise and put up a parking lot
Ooh, bop, bop, bop, bop
Ooh, bop, bop, bop, bop,
Hey, farmer, farmer, put away that DDT now
Give me spots on my apples, but leave me the birds and the bees, please
Don't it always seem to go that you don't know what you've got till it's gone?
They paved paradise and put up a parking lot
Ooh, bop, bop, bop, bop
Ooh, bop, bop, bop, bop
Late last night, I heard the screen door slam
And a big yellow taxi took away my old man
Don't it always seem to go that you don't know what you've got till it's gone?
They paved paradise and put up a parking lot
Ooh bop, bop, bop, bop
'Cause don't it always seem to go that you don't know what you've got till it's gone?
They paved paradise and put up a parking lot
Ooh, bop, bop, bop, bop
They paved paradise and put up a parking lot
Ooh, bop, bop, bop, bop
They paved paradise and put up a parking lot
[LAUGHS]
VICKIE STURGEON: Dan Maul runs a tractor and implement dealership in Worthington. Recently, he asked the city council to rezone 50 acres, 41 of which he owns, near the city limits so that he can expand his business. I asked Maul what his response would be to a charge that he is encroaching upon agricultural land, thereby decreasing the production of food.
DAN MAUL: The point that we take agricultural land out of production isn't really the point in question. It's more towards the idea that maybe we're bringing something to the farmer that he doesn't have right now.
Maybe it would be good if we-- like in our business, for instance, we are building a new building. We're going to provide more services to the local farmer, and I think this goes hand in hand with not only our business but also other businesses, whereby, for instance, elevators could come into the community and give the farmers a better price for their products, provide them with more services, give them more information so that they can be better farmers.
VICKIE STURGEON: Well, do you see any irony in the fact that you sell-- basically make your money off selling implements and things to farmers and yet, in some ways, you're taking a bit of farming land out of production?
DAN MAUL: No, I don't. I think that the land, in most cases, is in the city limits or it's around the city limits that people are improving. And I think that it's an established fact that people assume that towns are going to grow larger rather than grow smaller, unless it's a very small town and it's a very poor community.
I think all the farmers near town realize that their land is probably worth a few more dollars because it would be used mainly as commercial, and the dollar per acre that it could be sold for would be much greater.
VICKIE STURGEON: In talking with farmers, do any of them ever say they feel threatened or they feel encroached upon?
DAN MAUL: I wasn't around when the interstate came through. So I don't know what their reactions were at that time, but I assume that the people who were directly involved felt that they were being encroached upon, that they had a huge highway going right through the middle of their land, and it was going to cost them a lot of money. I don't know how well they were compensated for that highway, but I think that they realize that it does help them, maybe not in their particular case, but it's a community concern, and maybe for their neighbors.
VICKIE STURGEON: But what you're saying maybe is those farmers that are right out here at the city limits aren't threatened. They're very happy to sell off a few acres here and there.
DAN MAUL: Well, I'm sure if it's an older fellow, he probably would be quite happy to get a little better price for his land. If it's a younger farmer who's starting up and who wants to expand, he probably would be encroached upon.
But I think that if a person is young enough, and he's intelligent enough, he's going to realize that the towns don't stand still, that there is that possibility that people are going to be knocking on his door, asking to buy his land, and that he should think about the possibility that he may have to sell his land and maybe move to a different area.
VICKIE STURGEON: Do you think it'll ever get to the point, though, that communities, relatively small communities, Worthington, Marshall, Slayton, are going to have to say, that is the limit, and, if you want to grow, you're going to have to grow up because we're just not going to spread out any farther?
DAN MAUL: Well, I guess that's pretty tough to do when you've got so much land available for use. Take Manhattan, for instance. You're surrounded on three sides by water. How can you go any further? So they have to go up.
When you're out in a prairie, and you can see for miles and miles, and you're telling a town that it can't grow out because there is no more room or someone just doesn't want to sell, that's a pretty tough pill to swallow. And I don't know how they can say no to something like that.
VICKIE STURGEON: That was Dan Maul, Worthington businessman. In this segment, we also heard from US Congressman Richard Nolan from Minnesota's sixth district, J. Peter Thompson from Bergen, Minnesota, and president of the concerned farmers of America, and Hiram Southwick of Slayton, regional wildlife supervisor for Southwest Minnesota.
JOE PADDOCK: The function of poetry is religious invocation of the muse. Its use is the experience of mixed exaltation and horror that her presence excites. This was once a warning to man that he must keep in harmony with the family of living creatures, among which he was born, by obedience to the wishes of the lady of the house. It is now reminder that he has disregarded the warning, turned the house upside down by capricious experiments in philosophy, science, and industry, and brought ruin on himself and his family.
SPEAKER: The words of poet Robert Graves from the introduction to his book, The White Goddess, as read by Joe Paddock. The Poet's Perspective.
Today, we're going to look at the man on the land through the eyes of regional poets and residents, Joe and Nancy Paddock, as they read from their own works and the works of others. The Poet's Perspective segment of our broadcast is made possible in part with funds provided by the Minnesota Humanities Commission.
The denaturalization, if that's a proper term, of our region, is a fairly recent phenomenon. Before the white man came a scant 100 years ago, the Indian lived in close harmony with natural cycles. And Joe talks about this in his poem "The Way Home."
[VOCALIZATIONS]
JOE PADDOCK: "Their moccasins were gentle on endless prairies.
The mother's body, her sacredness,
They would not cut her hair to feed their horses.
Take from her the gentle loving of a horse's muzzle,
Nip and pull.
How can it be?
How can it be that this land, this sweep of Minnesota, just one long lifetime ago, was almost untouched by the things the White man does?
This all began with our great grandfathers.
They saw,
They actually saw this rolling prairie without a fence,
Antelope and buffalo before the plow turned it all over.
And now, they saw the great migrations, which began eons before man ever dreamed god.
And now, half that top soil, that top stuff, heaven of roots,
Created through an infinity of agony, of birth and death,
Life flowing through itself,
Dark and bloody, lovely ground.
And now--
NANCY PADDOCK: It was just a few farmers around.
JOE PADDOCK: --it is half gone--
NANCY PADDOCK: And Bird Island--
JOE PADDOCK: --swift as passenger pigeons down drainage ditches, channeled rivers--
NANCY PADDOCK: --when the prairie [INAUDIBLE]--
JOE PADDOCK: --through clean farms to the Mississippi, to some gulf.
NANCY PADDOCK: --around everything
JOE PADDOCK: This prairie--
NANCY PADDOCK: And this here Bird Island--
JOE PADDOCK: --vast, sad, mother hunt--
NANCY PADDOCK: --there's water standing--
JOE PADDOCK: --in the throat of our river.
NANCY PADDOCK: --a slough around the whole island,
And that didn't let the fires in there.
And that's why the trees got to grow in there.
Nowadays, there ain't nothing there.
By god, it's all worked into good field.
But when the folks first come over here,
It was all prairie land.
It was all different kinds of grass and prairie.
It was some tall, and some of it was slough grass,
And some of it was bastard grass, they used to call it.
I don't know what that was.
And some of it was just regular Junegrass.
And where there was any water or any ravines,
That was mostly slough grass.
And that used to grow tall.
That used to grow big three-foot tall and higher.
There used to be a lot of prairie chickens, yes?
You got up in the morning.
You could hear them bubbling in every direction from the place,
Howling just like a pigeon, you know?
You could hear them howl like that mostly in the spring of the year.
That's when they'd be on the hills, on the prairie
By god, you'd hear them bubbling.
Ducks, it was just like blackbirds in those sloughs.
Just clouds and clouds of ducks, and geese, and everything.
Sometimes, in those sloughs, where the big geese had their nests, we'd take their eggs.
And mother would put them under hens, hatch them under the hens.
And we had wild geese right at home.
You tamed them,
But they was flyers.
They liked to fly away.
And if they got away into the sloughs with them wild geese, they was gone,
And we didn't see them no more.
Mother used to clip their wings.
And then they'd grow up big enough.
And then mother used to butcher them,
Didn't bother saving any at all,
Because if we wanted any more,
All we had to do was go hunt around the slough,
And pick up eggs,
And hatch our own"
[NITTY GRITTY DIRT BAND, "MOTHER EARTH (PROVIDES FOR ME)"] Mother Earth provides for me
Now I am going on a journey
And I pray all things end well
While Mother Earth looks after me
Mother Earth
I will follow faithfully
Green trees grow on mountain top
Birds still sing while morning comes
Though I treat her carelessly,
Mother Earth provides for me
[MUSIC PLAYING]
JOE PADDOCK: I guess the question is the matter of developing a land ethic, that people will accept the way they do the human ethic at this point, that human beings have rights and can only be pushed so far to develop that same approach to the land.
And Gary Snyder, I believe, is the poet in America who probably pushed this whole thing the furthest. And Snyder has talked about representation of trees, animals, mountains, the land itself in Congress.
He went back to the approach, again, that the primitives had. In one part of him, he's an anthropologist and learned or studied how primitives would let certain of their people learn to mime a particular animal, say, that they hunted and he became, through his dance, the spokesman for that particular animal, the buffalo dance, for instance, in great sympathy and empathy with it.
And probably, because of developing that sense of empathy with that particular animal, they learned to respect it more entirely. And that obviously is not a direction that's going to be taken in any near future, I think, in southwestern Minnesota in relation to land.
SPEAKER: I don't think trees will be invited to testify in public hearings.
JOE PADDOCK: Not at all, no. But the question of whether or not anybody has any right to slow down this utilization of land, in terms of banking it in certain ways so that it doesn't lose its natural qualities entirely is a very important one, I think.
[VOCALIZATIONS]
NANCY PADDOCK: Another thing in this Touch the Earth book, that I thought was quite amazing was something that is about the difference between the way-- what the Indians noticed in the way they regarded the land and the way the White settlers regarded it.
And after some talk about the different ways that they would hunt and the different ways that they would build their houses, the Indians say-- the Indians never heard anything, but the White people destroy it all. They blast rocks and scatter them on the ground.
The rock says, don't. You are hurting me. But the White people pay no attention. When the Indians use rocks, they take little round ones for their cooking. How can the spirit of the Earth like the White man? Everywhere, the White man has touched it, it is so hurt.
[VOCALIZATIONS]
(SINGING) Yes, sweetheart, I often think of you
I wonder if you are alone tonight
I, I, I wonder if you are thinking of me tonight
[VOCALIZATIONS]
JOE PADDOCK: That's an extreme attitude on one side. I think the extreme attitude on the other side would be contained in a newspaper story that I have here from the Olivia Times Journal, and it's a letter that the county commissioners of Renville County wrote in response to the state's-- Department of Natural Resources program on developing the Minnesota River into a scenic wild-- or a scenic river.
And here's a response they had to it. And this, I feel, is the opposite, the far opposite, approach that the Indians had, to what the Indians had. I'll read a few sections from it.
"A second letter objecting to the Minnesota Wild and Scenic Rivers act was drafted by Renville County commissioners last week and presented during a packed hearing in Olivia, November 16. In the intermittent eloquence that typifies recent epistles from the Renville County Board, the letter cited objections of farmers who live along the river, noting the voice of the Department of Natural Resources raised in regulatory cadence over their river lands is not pleasing to their ears.
Farmers who live along the bluff land and farm the bottomlands are a breed of their own, the letter stated. They and their fathers before them have ultimately loved and fought the river since its resettlement after the Indian outbreak. The commissioners see the imposition of rules and regulations from the state departments as curtailment of private property ownership along the river."
Well, OK. A little further along in the article, we get at another-- a few more things they have to say. "Taking a shot at the concept of primitiveness in the Wild and Scenic plan, commissioner stated, we too must be funny, for we say more beauty in a field of grain or tasseling corn than in an uncultivated wasteland. And the sight of the farmer in his fields, tilling or harvesting, is a scenic thing of beauty."
I don't think we'll disagree with that entirely. But that idea of what wasn't cultivated as wasteland, I think, is the extreme point of view. And you've gotta be as fair as possible to them, that I think good poetry can be written about the farmer harvesting, for instance.
NANCY PADDOCK: "Tufts of tender green nod in the breath of spring.
A turtle dove coos to a mate.
Yellow beams of sun life pour onto the wheat pool,
Like spilled honey.
Wheat springs to life.
Tall, slender grass sways,
Undulating, restless, unceasing green surf.
Light, like molten iron, spills over the waves.
Wheat stretches to heat.
Stocks brittle as broom straws rattle.
Ripe kernels scatter before the sweep of the scythe.
Wheat, staff of life.
Kernels explode beneath grinding mill stones--
Rich, brown flour,
Kneaded, shaped, baked.
Wheat, flame of life."
[JUDY COLLINS, "TURN TURN TURN"] To everything
Turn, turn, turn
There is a season
Turn, turn, turn
And a time for every purpose under heaven
A time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weep
To everything
Turn, turn, turn
There is a season
Turn, turn, turn
And a time to every purpose under heaven
JOE PADDOCK: "Life is seething. In this soil, which has been millions of years in the making
It has been forever in the making,
A mingling of untold billions of bodies of plants and animals,
Grasses of this prairie,
Buffalo and antelope, grazing down into roots and back again into the sun.
Birds and insects, their wings still hum in this soil.
And this swarm drinks sunlight and rain and rises again and again into corn, and beans, and flesh, and bone,
The quick bodies of animals and men risen from this black energy."
I think maybe the point is there that probably these farmers believe in probably realistically that what they do is a natural and positive extension of what has always gone on the prairies. And I feel that maybe they've overburden things in the last 10 years in a negative direction. But I think, probably, that's what they believe they're doing and where they're at.
(SINGING) From embracing
To everything
Turn, turn, turn
There is a season
Turn, turn, turn
And a time to every purpose under heaven
A time to gain, a time to lose
A time to rend, a time to sew
A time to love, a time to hate
A time of peace
I swear it's not too late
To everything
Turn, turn, turn
There is a season
And a time to every purpose under heaven
And a time to every purpose under heaven
NANCY PADDOCK: I have a nice poem by William Kloefkorn, a Nebraska poet. And it's from a book called Alvin Turner as Farmer. This is Alvin Turner talking.
"I am a dirt farmer who dreams of poetry.
Is that so strange? Is anything?
I have bent myself, thankfully, over the heat of cow chips.
When the lespedeza flowers, I breathe its blooms.
The calf I winch to birth grows legs like oaks to graze on
And stuck hogs bleed for breakfast
This morning, at milking, I kissed the cow's warm flank,
And she kicked the milk to froth beneath my knees.
I forgave her, then cried with the cats.
Now, the manure is in bloom.
Thistles defend the driveway,
And corncobs gird the mud beneath my boots.
Plotting harvests,
I roam my acreage like a sweet spy."
[STEELEYE SPAN, "ROSEBUD IN JUNE"] It's a rosebud in a June
And the violet's in full bloom
And the small birds are singing love songs on each spray
We'll pipe and we'll sing love
We'll dance in a ring love
When each lad takes his lass
All on the green grass
And it's oh to plow where the fat oxen graze low
And the lads and lasses to sheep-shearing go
When we have all sheared all our jolly, jolly sheep
What joy can be greater than to talk about their increase
We'll pipe and we'll sing love
We'll dance in a ring love
When each lad takes his lass
All on the green grass
And it's oh to plow where the fat oxen graze low
NANCY PADDOCK: "To enrich the Earth, I have sowed clover and grass to grow and die.
I have plowed in the seeds of winter grains and of various legumes.
Their growth to be plowed in to enrich the Earth.
I have stirred into the ground the awful and the decay of the growth of past seasons.
And so mended the Earth, and made its yield increase.
All this serves the dark.
Against the shadow of veiled possibility,
My work days stand in a most asking light.
I am slowly falling into the fund of things.
And yet, to serve the earth, not knowing what I serve, gives a wideness and a delight to the air.
And my days do not wholly pass.
It is the mind service.
For when the will fails, so do the hands.
And one lives at the expense of life.
After death, willing or not, the body serves,
Entering the Earth.
And so what was heaviest and most mute is, at last, raise up into song."
["ROCK OF AGES" PLAYING]
(SINGING) Rock of Ages, cleft for me
Let me hide myself in thee
Let the water and the blood
From thy side [INAUDIBLE] flowed
Be of sin the double cure
Save from wrath and make me pure
NANCY PADDOCK: "The land is not beaten yet.
Plenty of places you can see prairie fighting back corn and wheat, woods fighting back at parks and pastures.
Trees keep coming back green out of last year's cut brush.
Some places, the land just won't give up,
Putting its rocks out front, like gritted teeth.
Trying to beat the land is like trying to beat sense into your mother.
The only way to win is to kill her."
JOE PADDOCK: [CHUCKLES] And that isn't so easy to do. First of all, she doesn't die easy. And secondly, it's hard to kill your mother. And if we can think of the land symbolically in that way, in some real ways, the land does give us birth.
I think the farmers do love the land. I think almost everyone loves the land. When it comes right down to killing her, I think, at this point, where they suddenly realize what power they have over it, all of a sudden, people are going to develop this land ethic we were talking about at the beginning.
[NITTY GRITTY DIRT BAND, "MOTHER EARTH (PROVIDES FOR ME)"] Treat her carelessly
Mother Earth provides for me.
SPEAKER: You heard Joe and Nancy Paddock, regional poets and residents, reading their own works and those of others as follows-- "The Way Home" by Joe Paddock; "Reminiscences of [INAUDIBLE]" from The Things We Know Best, an Oral history of Olivia, Minnesota, edited by Joe Paddock; "The Words of a Wintu Indian Holy Woman" from TC McLuhan's Touch the Earth, published by Simon & Schuster; "Wheat, Flame of Life," a poem by Pat Kelly; "Black Energy" by Joe Paddock; Alvin Turner as Farmer by William Kloefkorn; "Enriching the Earth" by Wendell Berry; and "The Land," a poem by John [INAUDIBLE].
The Poet's Perspective segment of Home for the Weekend is made possible in part with funds provided by the Minnesota Humanities Commission.
(SINGING) I am blessed with her devotion
Mother Earth provides for me
Mother Earth provides for me
Mother Earth provides for me
VICKIE STURGEON: You've been listening to The Poet's Perspective, a series of nine programs funded in part by the Minnesota Humanities Commission. The program featured Southwest Minnesota regional poets, Joe and Nancy Paddock. And the series was produced in the Worthington Studios of Minnesota Public Radio Station, KRSW. Staff members at KRSW responsible for the project were Kim and Judy Hodgson. And I'm Vicki Sturgeon.
[MUSIC PLAYING]